Richard Deane Taylor (1925–2014)

As a young child Richard Deane Taylor displayed a talent for what his father complained was unproductive and energy-wasting "scribbling". The elder, a Jewish immigrant from Poland, wanted his son to work manual labor to help with family expenses. But hawking shoelaces or newspapers in the winter cold on the street corner was not the way Richard envisioned he would provide for the family.

His superb ability to recreate the world he saw around him quickly impressed industry professionals. In high school at Brooklyn Tech, Richard expressed himself by reproducing the beauty he longed for in his young, romantic mind, and as a student he stood out. Forced to quit school, a teacher taken with his abilities introduced the teen to the pulp-fiction industry where a good "scribbler" gets paid. Richard got a job lettering for Beck and Constanza Studios, and illustrating Fawcett Publications' Shazam! Captain Marvel comic books. Richard's father never "kvetched" again. Richard was appreciated for his work by his cash-strapped family of 7.

Now 17, Richard fit in as a staff cartoonist, even taking on older guys' habits. He learned how to smoke a pipe like the adult staffers who he thought were diligently working on their craft at the drafting table. Instead, Richard recounted many times how he caught on to the other guys' ruse after noticing them stuffing and cleaning their pipes. Where most boys his age would have been proud of their job cartooning, Richard held higher ambitions than toiling on comic books for the rest of his career.

Then as fate would have it, Richard got drafted to serve in World War II.

Richard drew this mock "Pan American Airlines" advertisement for an Art class project in 1940 while attending the Brooklyn Technical Highschool in New York City.

He had a fascination with airplanes from an early age and really enjoyed drawing them for himself and for school projects.

This image was drawn with a ball-point pen and then a brush with ink was used to fill in the larger dark areas of the drawing.

Even at the young age of 15, his attention to detail was already very obvious.

Richard drew this rustic western wilderness scene from his imagination in 1940 as a sample for his personal portfolio.

This drawing is a good example of Richard's ability in creating a two-point perspective drawing at a young age. Even back then as a teenager, he veered toward realism rather than fantasy.

The drawing was created using a ball-point pen paying extra detail to the background trees and figures in the foreground.

Richard created this artwork for the Brooklyn Technical High School's internal newspaper publication in 1941.

The informational graphic was meant to promote the General Organization within the school and convince students to get involved and join the organization in order to better themselves.

Created using a ball-point pen; there is also evidence of some white paint being used to correct some inking errors.

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Richard would joke about the call to duty this way: "I fought like hell, but they took me anyway" explaining he was a lover, not a fighter. Fortunately for him, the United States Army recognized his talents early. He never saw action and almost immediately found work in the Army's Provost General's office. There, Richard lettered and illustrated training manuals, signs and other internal communications.

Much of the pen and inks he drew on his free time during this period helped him hone his hyper-realism skills and abilities. It also filled him with intellectual curiosity about the ways his talents could serve him well in his life. Still, the romantic scribbler from the Lower East Side of Manhattan would nevertheless move up in rank and responsibility during war time.

To his credit, the artist garnered commendations and pulled his weight in the military. The Army gave him the American Service Medal, a Good Conduct Medal, a Word War II Victory Medal and an honorable discharge in 1946 as a sergeant, correctional custodial personnel / military police for the U.S. Disciplinary Barracks.

With the G.I. bill in hand, Richard would embark on a new journey — one which would fill his senses and spark creativity.

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In post-war Paris, the romantic received an education any artist would likely envy. In the City of Lights, he felt at home. He thrived. Far from New York, he wrote to his mother telling her he may never return. He lived on the Rive Gauche, the left bank of the Seine famous for its bohemian inhabitants. From there, Richard would take his easel to the river to sketch or paint like a "real French artist". He fell in love (with a Gentile woman his mother would never approve of) and made life-long friends, who were talented individuals in their own right.

Paris is where Richard embraced the life of a painter. Exposed to the city's centuries' old visual arts, he also immersed himself in French culture and a beatnik lifestyle. He studied fine arts at the Academie de la Grande Chaumiere and the National School of Fine Arts / Ècole nationale supèrieure des Beaux-Arts in Paris, France. For the first time in his life he had a chance to be surrounded by other student and professional painters from around the world. One of his teachers was Yves Braques, an impressionist with whom Pablo Picasso had artistic competition.

This is the period in which Richard's pen and paper were replaced with oil and canvas, creating his own version of the classics. He made his Rembrandts and Monets, and learned how to apply brushes in order to experiment with different strokes of paint for effect. Less concerned with realism, he introduced light and mood into his work. His portfolio matured along with the artist, representing a wider range of disciplined artistic expression.

Then his mom got sick. He was called home and moved back to New York.

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War was over. It was the 1950s in New York, the era of "Mad Men," in which a new marketing and advertising industry flourished on Madison Avenue. The hey-day of commercial art had emerged and Richard was in the thick of it. With a portfolio under his arm, a bearded and sandaled painter returning from Paris literally walked from one studio to another, and then from one art department to another looking for work. Richard did not immediately find a receptive clientele. But after a year, an agent was willing to rep him. Art directors finally gave Richard a break which eventually became lucrative freelance assignments.

The scribbler from Lower East Side earned a soaring reputation. Richard's steady hand in lettering and illustration, combined with his more recent fine-arts education, served him well. His work started appearing on billboards, the covers of the day's top magazines like Collier's, and for glamorous marketing consumer brands, such as Revlon.

Richard was a perfectionist. Each hair on the subject's head and wrinkle on the dress' fabrics appeared real. For the cosmetics companies, the glossy red of the model's nails reflected light perfectly. In whiskey ads, sun glared through bottles distorting and diffusing the rays Richard's assignments would keep him up at night, but they were rarely if ever rejected. But by the 1960s, the attentive freelancer's eye started getting replaced by the focused camera lens.

Richard enjoyed photography but considered painting a labor of love and his paintings, his children. So he continued painting for himself. Then he became a dad for real.

This election cover features the likenesses of both candidates running for President of the United States: Republican Dwight Eisenhower, the nation's 34th president, and Democrat Adlai Stevenson II, who lost to Eisenhower in both 1952 and 1956. The presidential seal features prominently in the background.

\"The Man's Magazine,\" as True described itself, hired Richard Deane Taylor to present both men with color headshots, and to also include small illustrations of their perceived hobbies as well. It would not be the last time Richard painted \"Ike.\"

According to the United States Golf Association, Eisenhower was \"golf's ultimate ambassador\", and carded more than 800 rounds of the game while he was in office.

Stevenson had been photographed by the press in the 1950's returning from a deer-hunting trip in North Carolina, and enjoying a duck hunt in South Carolina.

Meant to be prominently displayed on the cover of Newsweek's magazine, dated: March 5, 1962.

Goulart, a career politician in Brazil, served as vice president from 1956 until the president resigned in 1961. Subsequently installed as the 24th president of Brazil, Goulart's career ended in 1964 when a military coup ousted him into exile.

This painting was meant to be displayed on the cover of the March 5, 1962 issue but was replaced last minute with the story of the first American crewed orbital spaceflight that launched on February 20, 1962.

Prominently displayed on the cover of Collier's magazine, dated: December 29, 1951.

The cover art consisted of two busts: Britain's Princess Margaret (1930-2002), and America's Margaret Truman (1924-2008), who were both the subjects of the magazine's feature article. They were both considered media darlings.

The princess, also known as the Countess of Snowdon, first garnered attention as the second daughter of King George VI and Queen Elizabeth. After World War II, Margaret developed a reputation for her late-night socializing. Later, the media highlighted her lifestyle and contrasted her to older sister Elizabeth II, who was coronated queen in 1953.

Meanwhile, Truman's notoriety derived from her appearances as a young woman at White House events as the only child of President Harry S. Truman who served from 1945 to 1953. After she graduated from university in 1946, she toured the United States as a soprano with various orchestras. A year into her marriage to The New York Times' Clifton Daniel in 1956, she switched careers, becoming a radio and TV journalist.

Prominently displayed on the cover of Collier's magazine, dated: September 22, 1951

Possibly Richard's most beloved and well-known cover art, remains this realistic portrait of Churchill in front of the British flag, Union Jack.

Churchill (1874-1965), Prime Minister of the United Kingdom from 1940 to 1945 and again from 1951 to 1955, famously led his country through World War II the first time he was PM. In 1953, he also received the Nobel Prize for Literature and served the British Parliament for more than half a century.

Herbert Hoover's (1874-1964) bust appears next to four different government seals, representing his leadership and contributions to public service, most notably the United States' 31st president from 1929 to 1933.

During World War II, Hoover was instrumental in providing then President Truman with his point of view on world food needs. By 1947 Hoover was helping fellow Republican Truman streamline the executive branch. Other governmental roles the Republican played and represented on the cover include U.S. Secretary of Commerce, first leader of the Food and Drug Administration, and director general of the American Relief Administration.

The cover shows a map of Central Europe in the background, with the word \"Occupied\" across, Poland, Ukraine, Romania, Latvia, Czechoslovakia and other nations. The U.N. flag is prominently displayed next to Moscow and on the occupied side of the map.

The bust of a United States / United Nations Occupation Forces' troop holding a rifle with bayonet in the foreground was derived from Richard's imagination. There's a hand grenade in the soldier's left pocket.

Whiskey brand, Hiram Walker, commissioned Richard to capture the likeness of novelist L'Amour. Both men found an audience for their talents and as contemporaries whose art was appearing in the same media as military veterans.

Born in North Dakota, L'Amour was renown for his depiction of the United States' western frontier. He wrote iconic cowboy tales after he returned from serving in Europe in World War II, answering market demanded. Hopalong Cassidy's author sold his prose to book publishers, and later to Collier's and The Saturday Evening Post magazines.

Later L'Amour expanded the audience for his novels and short stories beyond print. In the 1950s the writer debuted his cowboys in Hollywood resulting in them coming to life on the silver screen and TV. The cowboy archetype he portrayed featured heroes, such as Hondo, a character personified by John Wayne.

The popular American blended whiskey, Imperial, targeted \"men among men\" as potential consumers of its beverage. Miami-born Pinder, a spearfishing legend, made a living reinforcing a masculine sportsman image. Richard’s job involved capturing the underwater athlete drinking a glass of whiskery while wearing diving goggles.

Pinder and his brothers achieved fame by the 1950s as both pioneers and champions of spearfishing. But Art Pinder was also an all-around athlete, Coast Guard veteran and swimsuit model before the age of TV, after which he appeared in commercials and talk shows.

Whiskey-maker, Hiram Walker, launched a series of ads using some of the times' most iconic American sportsmen of the 1950s. Sailing-canoe builder and designer, Whitman, was internationally renown after World War II for bringing home the International Challenge Cup back to the United States in 1952 and again in 1955.

The racing champion is credited with demonstrating the racing prowess of the first cold-molded canoe when he raced in Britain. Whitman sailed his wide-hull designs primarily out of City Island, New York, on the Long Island Sound, where he was a member of the New York Canoe Club.

Geyer was a Florida resident and legend among big-game fisherman for his generation. In the advertisement, Geyer is holding a glass of Imperial whiskey while wearing a bright yellow polo shirt emblazoned with the "Wahoo Game Fish Record" patch. Richard illustrated Geyer in an inset with his 136-pound catch from the tournament.

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Newspaper Version.

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Jack Kearns (born John Patrick Leo McKernan; August 17, 1882 – July 7, 1963) was an American boxer and boxing manager. Known as "Young Kid Kearns" participating in 67 professional lightweight and welterweight fights throughout his career, he then became more well known as a flamboyant boxing coach and manager of Jack Demsey. He is most remembered for achieving the first "million dollar gate" in boxing when the Jack Dempsey vs. Georges Carpentier bout generated a record $1,789,238 in ticket sales.

Albert Fielding Lang (1870–1960), better known as Al Lang, was an American businessman and politician who served as the mayor of St. Petersburg, Florida from 1916 to 1920. Lang was an active mayor who took steps to beautify the city and increase its popularity especially among northerners who would come to Florida in the winter. However, Lang is best known for his work in bringing baseball spring training to the St. Petersburg area.

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Lorem ipsum dolor sit amet, no movet ridens nemore sea. Tibique detraxit quaerendum vim at, an duo dolorum inermis scripserit. Choro admodum delectus mel an. Nec unum utinam semper ex.

Lorem ipsum dolor sit amet, no movet ridens nemore sea. Tibique detraxit quaerendum vim at, an duo dolorum inermis scripserit. Choro admodum delectus mel an. Nec unum utinam semper ex.